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Sweny's Chemist, as seen in James Joyce's 'Ulysses'

BLOOMS & BARNACLES

Posted on May 19, 2020January 4, 2023 by dermot

In addition to this site I also collaborate with my wife on her James Joyce / Ulysses blog & podcast ‘Blooms & Barnacles’. Kelly does the hard work, reading and writing about ‘Ulysses’, famed as one of the most challenging books in the English language. I draw the purdy pitchers that accompany each article.

You can see the gallery of images here.

It’s often a tricky process, as the source material can be esoteric at times. I also give myself a strict 1 to 2-hour time limit. Of course I could continue to add details, but it keeps me from getting overly-picky.

A very dark passageĀ as two midwives walk toward the sea to deposit something in the water:
midwives on the beach

This is about a horror story by W.B. Yeats (very Lovecraftian) that Joyce admired. One thing about Joyce that I only realised as we began to collaborate on the blog was that Joyce was a master of horror. For fans of horror fiction, had he written in that genre he’d have been in a class of his own:
joyce meets lovecraft

Joyce tremendously admired the Renaissance magician Giordano Bruno. Bruno had a plan to rename the ‘uncouth stars’ of Greco-Roman mythology in order to create a more virtuous form of Astral Magic. (Read ‘Giordano Bruno and the Hermetic Tradition’ by Frances Yates for more on this misunderstood man):
giordano bruno

One of the figures who is mentioned in passing in ‘Ulysses’ is the great French prankster Leo Taxil, the originator of many modern memes about the Freemasons – myths that are with us still:
baphomet

This is a panel from my comic ‘Continuum’, which I may or may not finish. I’ve been working on it for 8 years already, and the end is nowhere in sight. Anyway, happily I was able to re-purpose this panel to illustrate one of many moments where Joyce meditates on Aristotelian ideas:
aristotle and nous

‘Ulysses’ is famous for the stream of consciousness. This is another panel from my book ‘Continuum’, which also deals heavily with language. A slight modification (changing the text to a passage from ‘Ulysses‘) allowed me to use it as yet another Joycean image:
stream of consciousness

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